Stepan Arkadyevitch crushed the starchy napkin, tucked it into his waistcoat, and settling his arms comfortably, started on the oysters. You’ve got a friends lyrics poster. “Not bad,” he said, stripping the oysters from the pearly shell with a silver fork, and swallowing them one after another. “Not bad,” he repeated, turning his dewy, brilliant eyes from Levin to the Tatar.
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Levin ate the oysters indeed, though white bread and cheese would have pleased him better. But he was admiring Oblonsky. Even the Tatar, uncorking the bottle and pouring the sparkling wine into the delicate glasses, glanced at Stepan Arkadyevitch, and settled his white cravat with a perceptible smile of satisfaction. You’ve got a friends lyrics poster. “You don’t care much for oysters, do you?” said Stepan Arkadyevitch, emptying his wine glass, “or you’re worried about something. Eh?” He wanted Levin to be in good spirits. But it was not that Levin was not in good spirits; he was ill at ease. With what he had in his soul, he felt sore and uncomfortable in the restaurant, in the midst of private rooms where men were dining with ladies, in all this fuss and bustle; the surroundings of bronzes, looking glasses, gas, and waiters–all of it was offensive to him. He was afraid of sullying what his soul was brimful of.
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“I? Yes, I am; but besides, all this bothers me,” he said. “You can’t conceive how queer it all seems to a country person like me, as queer as that gentleman’s nails I saw at your place…” “Yes, I saw how much interested you were in poor Grinevitch’s nails,” said Stepan Arkadyevitch, laughing. “It’s too much for me,” responded Levin. “Do try, now, and put yourself in my place, take the point of view of a country person. We in the country try to bring our hands into such a state as will be most convenient for working with. So we cut our nails; sometimes we turn up our sleeves. And here people purposely let their nails grow as long as they will, and link on small saucers by way of studs, so that they can do nothing with their hands.”